Saturday, September 6, 2008

The Dancer's Secret -- A Short Horse Story

It was sunset. The wind rode on the sharp edges of the mountains dragging the last bit of color away from the darkening hills. In a small cradle of two hills lay a beautiful girl. Her hair was long and soft, and when it touched the wind no other beauty could compare to it. She had a long face and brilliant searching brown eyes. Her feet were perfectly conformed, but were not like everybody else's who surrounded her. This girl's belly was not thin and it was not bulging, but was somewhere in between, and was the perfect shape. She stood up. Her long hair covering her body like a coat. The wind pushed against her forehead, cooling the nearly invisible sweat.

Others gathered around her, watching her intently. She began to move in a slow, but upbeat rhythm. It grew very quiet. The others continued to look at her, and started to wonder why she had begun to dance when the music hadn't started. The girl's curves moved back and forth and her hands danced their own dance around her stomach. Back and forth she moved until the earth seemed to move and the mountains rumble. The grass quivered back and forth at the eerie silence. She stopped. The ring of quiet shadowed everyone's ears. The beautiful girl opened her mouth. A long sweet tone emerged from her lips. The gazing onlookers listened intently to the wonderful sound. The girl dropped down to a very low pitch and then swerved back up like a bird that was getting too close to the ground. She sang and sang as if she were pouring her inside beauty out to the others. Her voice stopped, and once again silence covered everything.

The girl's body began to move again, but this time it was much slower and seemed more meaningful. Soon the others were bobbing their heads and moving to something unheard. It was the music of their souls. The girl sped up her dance, leaving all of the others to dance their own rhythm. Soon the girl was dancing so hard to the music inside of her that she suddenly stopped and began to run. Blood thumped in her temples and her gorgeous hair flowed back away from her face. Her long sleek body seemed to move with the wind, and her feet with the earth. The girl ran and ran, and when she got to the top of her favorite hill she stopped. Her breathing came harshly, making her nostrils flare for air. She smiled and took a minute to grasp the beauty around her. The smell of wild flowers hung in her nostrils, and the earth cuddled her feet. In the near distance she spotted a small forest and hundreds of night creatures lurking about. Quickly she turned around to look at the others. Their music was still playing within their bodies. The girl was satisfied. Once again she had taught to listen not only to your mind but also to the music, the real music that plays inside of you.

The girl began to laugh. This was no ordinary laugh though -- it was a laugh that was a slightly haunting and scary. Her eyes sparkled and she laughed on. Once again she had gotten away with her secret. Once again she had done something all of the others said she couldn't do. The girl reared up in triumph, showing off her glimmering hoofs and long mane. A long whinny rose from her throat and she galloped home.

The dancer's secret was revealed...

Randall Holman, site owner of Front Range Frenzy and horse enthusiast, is the author of the above short story. You can find easy and practical basic horse care information on his website: http://www.FrontRangeFrenzy.com.

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The Divine Beauty of Traditional Chinese Culture Shines at Radio City Music Hall

As we usher in the Year of the Pig, the divine beauty of the ancient East will come to life in NYC with the now legendary NTDTV Chinese New Year Spectacular! The 30-city world tour Spectacular will play at Radio City from February 14 17.

Featuring the best of Chinese culture and world-class performers, this unique show portrays genuine traditional Chinese culture and includes classical Chinese dance as well as various traditional dances. Performers have worked hard to emulate the musical style of the ancientsclassical melodies filled with the power of compassion. Showcasing grand stage designs, hand-painted backdrops and authentic costuming from ancient Chinese Dynasties, the theme of Myths and Legends weaves a tale of the proverbial battle between good and evil through theatre, music and dance.

NTDTVs main goal is to revive lost Chinese culture from the ancient past. As you may be aware, in 1949 when the Chinese Communist Party took power in China, its leaders did everything possible to sever the people from their 5,000-year-old culture. Everything moral and spiritual was suddenly uprooted from people's lives--temples and buddhas were destroyed. The arts became a tool for fulfilling political aims, evoking the dark side of human nature. China's folk music was used to serve the communist revolution.

Unfortunately, those born after 1949 have opened their eyes to a spiritual desert. They are no longer familiar with their own heritage, which has been decimated and replaced with the communist-atheist model.

Judging by the growth and success of the Chinese New Year Spectacular, now in its fourth year, I believe that NTDTV has lived up to its word. The Spectacular really does have the effect of removing the communist "wrapping paper" around the essence of traditional Chinese values and beauty. It is not surprising that the show ranked 7th on Billboard Magazines top 10 shows in Feb 2006 based on ticket sales for the 2006 shows at Radio City Music Hall.

The Spectacular is a delight to Chinese and Western audiences alikea truly heartwarming event not to be missed. The Chinese New Year Spectacular is the best show ever to appear on stage in North America, said former member of Parliament Simma Holt. I saw the show in Canada and I would like to say to the Chinese Consulate officials, who made a statement saying that the show is political, the fact that some of the atrocities committed by the Chinese regime were re-enacted in the show is nothing unusual; interpretative dance is a feature of all great symphonies, operas and ballets.

Makina Liu is an Arts student living in Canada. For more info aboutthe NTDTV Chinese New Year Spectacular in your city/area, please visit:http://shows.ntdtv.com

http://www.ntdtv.com

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Friday, September 5, 2008

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Thursday, September 4, 2008

RIAA Files Second Wave of Lawsuits

The Recording Industry Association of America (RIAA) has launched a second wave of lawsuits against users of internet2 (a specialized high speed version of the internet that makes it ideal for file sharing). By adding 20 new schools to the list, RIAA has greatly expanded the number of students involved in the case.

"As long as students continue to corrupt this specialized academic network for the flagrant theft of music, we will continue to make it clear that there are consequences for these unlawful actions," said Cary Sherman, President, RIAA. "With the multitude of legal music alternatives available to students today, there is simply no excuse for this ongoing, illegal downloading on college campuses."

RIAA is the trade group that represents the U.S. recording industry. Its mission is to foster a business and legal climate that supports and promotes our members' creative and financial vitality. Its members are the record companies that comprise the most vibrant national music industry in the world. RIAA members create, manufacture and/or distribute approximately 90% of all legitimate sound recordings produced and sold in the United States.

"Whether its done on a computer at home or one in a college dorm room, the act of theft is one and the same," said Sherman. "These lawsuits have had a significant educational impact on the public and have helped to arrest the staggering growth of digital music theft. We will continue to aggressively pursue them."

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Why Multimedia Content Is Good For You!

Whilst competition is, in many instances, a good thing, in terms of pushing up the quality, reducing the cost to the end user, creating greater choice in the marketplace and harbouring innovation it presents the problem of engagement, particularly in the online sphere.

The rich media and applications of sites like the BBC, YouTube, Trip Advisor, the quality editorial of shopping portals including Amazon and the major social networking sites of Facebook and Bebo fight for attention against conventional platforms, and whilst this statement doesn't consider the innumerable users and their diverse online needs it goes in some way to illustrate the state of the playing field, and how the bar really has been raised.

But what is your strategy? How can you engage customers? How do you compete for their attention? And once you've got customers, how do you retain them? In addition, how can you make cost savings in your marketing by turning visitors into loyal repeat customers who might in turn spread the word about your products and services?

One such engagement tool is multimedia content, which encompasses audio and video content. These multimedia mediums, allow business and website owners to engage with users and communicate differently to the traditional static pages of text and images users might expect from much of the web.

An excellent example of this might include branded videos which describe your services, 'sell' your products and encourage readership in a way that pages of content just can't, as well as differentiating yourself from the competition.

This user centric approach serves the needs of the ever savvy user, who craves information and will just as quickly move off your website if they cannot find the information they need, and multimedia content is another tool to effectively communicate.

Multimedia content needn't stop at video either as the use of podcasting technology represents a further opportunity to demonstrate authority in your sector by communicate news, interviews and other discussions in the form of a downloadable podcast, over, or in additional to, traditional static pages.

Therefore the opportunity to increase your conversions is presented when harnessing multimedia content, which can

- Heighten the perception of your brand

- Cement your position as an authority within your field

- Enhance the user experience

- Naturally attracts links to your website

- Differentiate from your competitions and

- Encourage customers to visit the other pages of your website or 'find out more'

In this age of competitively, engagement is a key consideration, and this is just one reason why multimedia content is good for you.

Adventure Connections specialise in stag weekends and hen weekends all over the UK, offering an extensive and exciting range of stag party ideas.

This article is free for republishing - One link must be active. 2008 Simon Dance

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Wednesday, September 3, 2008

First a Trickle then a Flood.The Birth of the Blues in Britain

Chris Barbers Jazz Band with the beautiful Otillie Patterson on vocals brought the sound of New Orleans to British traditional Jazz buffs in the late fifties and early sixties. This was just the beginning of a wave of new sounds that culminated in what came to be known as the British Blues Boom! On Banjo was the great Lonnie Donegan who became the Godfather of Skiffle a year or two later. All of the early musical melting pots were springboards for the next generation of musicians and within a couple of years the Music scene was to change forever.

My first exposure to the blues was on Barbers wonderful L.P. New Orleans Joys. I forget all the titles now but the haunting sounds stirred up strange sensations and led me a few years later to a life long passion for the Blues as I am sure it did with many young kids at the time.

The year 1962 saw the birth of several Blues gigs in London Clubs, notably the Famous Marquee which made its home in Wardour Street, Soho. The great Alexis Korner was to prove to be a nursery slope for what was to come. Cyril Davies on Harp, Dick Heckstall- Smith on the most wailing of saxophones, Mick Jagger (yes that one!) on vocals to name but a few. I guess that first Album recorded live at the MarqueeAlexis Korners Blues Incorporated, started the trickle which very rapidly gathered momentum and soon the Blues was the talking point of all young music heads.

Playing at the Marquee shortly after, in 1963 was the man destined to become the Godfather of British Blues John Mayall. Johns famous band, The BluesBreakers went onto fame and fortune as many musicians joined and left in quite a procession over the next couple of years. John celebrated his 70th Birthday a couple of years ago and is playing as well as ever. This gives lie to the notion that life is over at forty and its all downhill from there on. The list of Johns protges is a whos who of the music business; a good proportion of whom are still playing today. John McVie, co-founder of Fleetwood Mac, Mick Fleetwood, Jack Bruce of Cream, Eric Slowhand Clapton, Peter Green, Aynsley Dunbar, Mick Taylor and many more.

The band that I believe was the turning point at this time was undoubtedly The Yardbirds, whose incredible energy and enthusiasm were absolutely unparalleled on stage. My first exposure to this Juggernaut was on a Monday morning at school one time when some friends told me about this amazing band that they had seen at the Marquee who had a Guitarist that was simply unbelievable. The Year was 1963, the man in question (well he was only 18 years old!) was Eric Clapton.

The Legend was already underway at this stage and I believe Eric was responsible for the huge interest brewing in the Blues in Britain as the Yardbirds became household names on the R n B circuit. Many Guitars were sold at this time as young bloods attempted to emulate Clapton, some with success and many without. Probably one reason for the upsurge in Guitar bands as opposed to wishy washy pop sounds of the time was the discovery of the almost forgotten Gibson Les Paul which produced the sound closest to the Chicago Blues of a decade earlier. Erics use of this instrument took the Blues to a new height and no-one could escape the flood that was on the way. With the Yardbirds there was a mix of Gibson and Fender guitars in use. Eric initially played a Fender Telecaster with Rhythm Guitarist Chris Dreja using the Gibson 335, but the favourite in years to come particularly in 65 and 66 was the Les Paul.

In 1963 one of the first Bluesmen to arrive on this side of the Atlantic for a Tour was the legendary Harp player Sonny Boy Williamson who recorded a wonderful live album with the Yardbirds that was not released for several years. The restrained backing that the band provided to Sonny Boy showed them to be tight and controlled but Keith Relf the Lead singer and Harpist was a little put out at having to take a back seat to the Master during the gig. Many more Blues legends toured Britain and Europe in the following years which not only revitalised their own flagging careers but gave the budding white Blues players a chance to learn from the Maestros. These include Howling Wolf and the legendary Son House who had been a contemporary of Robert Johnson in the nineteen thirties. The author was privileged to see Son House play in London in 1970 shortly before he died. He was very frail but he certainly could make that National Steel Guitar sing sweetly!

The Album that preceded the Flood was of course the 1966 rendition by John Mayall entitled simply John Mayalls Bluesbreakers with Eric Clapton recorded on the Decca label .This album marked the first vocal airing by Slowhand and he chose Robert Johnsons Rambling on my Mind as his debut. The interrelating of Mayalls gutsy Barrelhouse Piano together with Erics Les Paul and his tentative vocals, wrote a piece of Blues History that day in the studio. That Album sums up for me not only the musicianship involved and the passion of the music but the very essence of the British interpretation of the Blues. I have listened to this song so many times now since the first momentous day that it came through the speakers and every time its hard to keep the emotions steady.

The Robert Johnson Legacy forms an integral and vital part of the Birth of the Blues in Britain and is responsible for the undoubted vitality of todays thriving Blues scene on both sides of the Atlantic. There are no Blues Bands past or present who do not owe a debt to Robert Leroy and his magic. His genius and virtuosity with the bottleneck will live forever!

Robin Piggott is a Professional Driving Instructor in Ireland, with a lifelong obsessional passion for the Blues. He treasures his Gibson as much as his Motor and just can't make up his mind which is number one! Please visit his web site and blogs for a mix of Motor and Musings designed to help Beginner Drivers and those visiting Ireland.

  • http://www.astralmotoring.ie
  • http://astraldrivingschool.blogs.ie


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