Friday, August 8, 2008

Delightfully

Los Angeles based band comprised of Daniel OBrien (vocalist/writer/producer) and Jeff Hull (drummer/writer/producer) who have been together now for over 9 years. The bands sound is a unique and hypnotic blend of Alternative Rock and Pop music a la Coldplay and U2. The songs are memorable and catchy, and the lyrics stem from Daniels own view of the world through dark, mysterious, and thought provoking glasses. Daniel was a staff writer for BMG and MCA and has had several songs released with other artists such as Heart, Susanna Hoffs (of The Bangles), and Terri Nunn (of Berlin). Jeff Hull has been writing music for EMI and is a prolific producer/writer and performer on drums and several other instruments. He has written and/or produced a number of songs for artists such as Holly Cole, Susanna Hoffs, Chynna Phillips and Jane Weidlen. Atenzia. 2005.




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dance music 2007

Coldplay

First-ever packed with pictures book on this band. Text by Alex Hannaford. Pictures by Steve Gillett Collector's item.


Percussion is the oldest form of music known to man. From the historic drum of the human heart to the archaic animal pelt drums of our ancestors, the primal beat of the drum stirs something ancient within our souls which can urge us on to dance, groove, or psyche us up to perform extraordinary feats.

The most prehistoric use of rhythm was to send our ancestors into a trance in order to procure a vision or reach a state of poetical flow to deliver stories of tribal lore and tales of life and to communicate over long distances between tribes. Not much has changed over the ages.

Although beats are now heard behind more modern and complicated instruments and covered with sonic production qualities from recording studios they have still maintained the same basic qualities and serve the same basic functions, to put us into a trance and achieve a poetical flow and to communicate over long distances. The poetical flow now takes the form of rap or singing, and the tales of life and "tribal lore" forms the lyrics. Long distance communication involves sending CD's over the world. But at the beating heart of the matter it's still the same as it was in the jungle.

So how can you use this information to create beats of your own?

Well keep in mind the basic fact that the beat is used to create a mood and feeling in the listener which will convey the emotion of the musicians.

The art of percussion is the art of manipulating time.

The rhythm of life is a powerful beat! Basically what you are trying to communicate through a beat is little pieces of transmitted life. As such, you have to capture life within you so that you can transmit it out through your music.

The only way to do this is to get out there! Experience life! Get yourself into as many situations as you can. Note how you feel, observe the beating of your heart when you are excited, when you are sad, when you are scared, when you are relaxed and happy.

Great musicians have the ability to create these same feelings in their listeners through their music.

Take your time!

As a percussionist you form the back bone of the song. As such, the soul that you put into your beat is going to radiate throughout the whole song.

If the same vibe is flowing through all the musicians the music will come out flowing and naturally. If there are disparate clashes of ego throughout the band perhaps it is time to regroup. Strongly opposite emotions are like to create clash within the music. Although sometimes this clash is the basis for the greatest music!

Basically the soundest advice is to put soul and life into your beats. These aspects radiate universally throughout the music into peoples hearts no matter what your level of technicality is.

Ant Onaf is a content producer in association with LearnClubDance.com (http://www.learnclubdance.com), a online retailer of instructional dance videos.

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Coldplay - Live 2003: Piano/Voice/Guitar

Matching folio to the acclaimed recording of a concert in Sydney that was part of their Rush of Blood to the Head tour. Includes 17 songs from their first two albums, including:AmsterdamClocksDaylightDon't PanicEverything's Not LostGod Put A Smile Upon Your FaceIn My PlaceLife Is For LivingMosesOne I LovePolitikRush Of Blood (A Rush Of Blood To The Head)See You SoonShiverThe ScientistTroubleYellow
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Jell-O Without Whip Cream

Do you like Jell-O? It's okay I guess; I mean it's not a hot fudge sundae is it? But if you add a little whip cream, then my friend you've got something worth calling dessert. My question to you is, does your website have that something extra, that dollop of whip cream on top that says, "oh mama let me at it," or does it just lie there squirming in your dish with the sound of Peggy Lee's voice ringing in your ears, "is that all there is?"

If your website disappointments, you need something that provides the 'eureka factor' and that can be provided with a creative, informative Web-video.

The Chicago Bulls Without Michael Jordan

How the mighty have fallen, at least in terms of brand personality. I mean it's not like the Chicago Bulls stink? It's just that without MJ they're not the Chicago Bulls of old. When Michael played we all watched, he was magic, he wasn't just a great basketball player, he was a great personality and he gave the team it's character; no Michael, no personality.

Is your website like the new Chicago Bulls, a talented group of players with skills but no singular personality? Time for a humanity injection, add a Web-video featuring a signature character host who can generate some excitement and establish your unique business personality.

Television Without Sound

You're watching your favorite television show, say CSI, the Vegas one not Miami, and the phone rings. It's your mother. You turn the television's sound down so you can hear her but you're still watching the show. You love your Mom but Grissom has just discovered a new miniature killer clue and you need to know what is going on, but your Mom is carrying on about how your Dad needs new dentures or something Frustrating. No audio, no information.

Does your website have the same effect as watching television without the sound. It's there, people visit, but they leave without getting your message. Time to add a little life to your presentation in the form of a Web-video that tells your story out loud.

Words Without Meaning

Have you ever reread someone's website copy several times and still not understood what the heck they're trying to tell you, or maybe you understand every word but still can't figure out what they're selling?

Words have meaning, they are meant to convey a message not hide it. A lousy video script is no better than lousy print copy. Your Web-audience has no patience for mumbo-jumbo that masquerades as information or for text and dialog that says nothing in as many words as possible in an effort to attract the search engines. Words have meaning, say them with style and deliver them with conviction.

The Rumba Without Rhythm

Have you ever sat at a wedding and watched people dance? There are the people who know how to move, how to respond to the their partners and to communicate with the slightest of gestures or movements. And then there are the others who look like they've got something icky stuck to the bottom of their shoes and are trying desperately to remove it.

If you want to communicate to your audience, you have to use all the techniques available. Communication is more than just copy, its voice, gesture, movement and meaningful dialog.

Romance Without Kisses

Ah the first kiss, something special that can seal a relationship or sour it forever. Your landing page is like that first embrace. Is yours as exciting as it could be, or is it like the guy who spends the entire first date talking about his double entry booking keeping skills?

A well-crafted, expertly presented marketing message is like a seduction; if you're not generating any excitement don't expect to produce any sales either. Boring mission statement gobbledygook and keyword-laden palaver are not the same as an enticing video. An engaging business story, well told, is like a juicy wet-one planted right on your audience's lips.

A Joke Without A Punch Line

Everybody likes a funny story. A good joke is nothing more than a short story with a set-up, an escalation, and a twist, but the real key to a good story lies in the telling. Even comedians with second-rate material can get their audience's howling if they know how to deliver their material.

It's all well and good to repeat the mantra, "websites are about content," but if that content isn't delivered with some style and panache, don't expect anybody to pay much attention.

A Song Without A Hook

Hit songs are highly structured stories with verses that function as chapters or acts, and a chorus that provides the hook that sticks in your audience's heads. Add a toe tapping beat and some instrumental flourishes and you've got something that people will listen to over and over again.

Does that sound like your website presentation? Are people willing to come back to your site just to watch your presentation, or does your website leave visitors with a 'been there, done that' impression?

Information Without Knowledge

Just because you're in business doesn't mean you've got to be boring. And just because you dump a lot of facts and figures and bulleted points onto your Web-pages doesn't mean you're making a convincing argument for anyone to buy your stuff.

Web audiences demand more. If you won't give it to them, you can be sure someone else will, like maybe your competition.

Interactivity Without Purpose

Can we all just stop and take a breath and think about this whole interactivity thing. Let's all get interactive, why? I mean what is interactivity anyway? Is it developing a hugely expensive game that people can play on your website to avoid working, or is it getting them to click on the "Tell Me More" button?

I vote for the interactivity that leads to opening a dialogue with a potential client, one that gets visitors to pick up the phone and call you to discuss their needs, not the one that generates a "Game Over" message. Of course that assumes you're willing to actually talk to customers.

Frequency Without Resonance

I happened to like vinegar on my fries, okay it's weird I admit it, but the Dutch like mayonnaise on theirs, even weirder. I once had a chef in a Tucson restaurant come out of the kitchen and confront me when I asked the waiter for vinegar (it's a Canadian thing). The chef approached the table and asked who ordered the vinegar? I reluctantly raised my hand. "You must be from Canada," he said, "I'm from Victoria, where you from?"

Good advertising is all about delivering a message that resonates with your audience. It doesn't matter how many times you run an advertisement if that advertisement doesn't make an impression on your audience. You can't be afraid to be creative or even a bit weird.

Humor Without Laughter

Dr. Max Sutherland in his e-mail newsletter report, "False Alarm Theory: How Humorous Ads Work" describes how laughter is a hardwired residual mechanism that developed in our ape days as an 'all clear' signal once a danger had past. The 'all clear' message is passed on from one ape to another, until the entire troop is screeching with the ecstasy of survival.

A guy slips on a banana and breaks his neck - that's not funny. A guy slips on a banana, jumps up and looks around to see if anybody saw - that's funny. Humor is based on creating some sense of uncertainty or tension that is ultimately relieved with a humorous punch line or comforting resolution. The safe or amusing resolution creates a chain reaction in the audience that signals, "hay guys, all is well; everything is back to normal."

Without tension there can be no relief, no opportunity for an entertaining resolution that creates a cascading viral reaction among your audience. So don't expect your website to be passed on to friends and colleagues unless you deliver a compelling presentation that offers the opportunity to signal the rest of the world that all is well.

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Runaway




Ukulele is a great instrument to use when you play chords to songs. Your chord playing on your ukulele can be more effective if you apply a few guitar playing principles. In this ukulele lesson you will find out how you can change between chords better and easier!

First a few easy to follow principles as you play any chord:

1. Fingerings. The left hand fingers you use as you play chords can make chord changes easier or harder.

2. Minimize finger movements. Try to take the shortest distance between two frets if you have to move a finger to change chords.

3. Keep fingers down on frets that are shared between two chords.

Let us take a closer look at these principles:

Fingerings

As an example of the first principle we will take a look at two common ukulele chords. We will use the common C-tuning. In this tuning the C-major chord will look like this:

C-major: 04 03 02 31

The number pairs tell you how to put your fingers to play the chord. The first number in the pair tells you which fret to press down and the next number which string to play. The number 0 means that you will not press down any fret. For example 04 means play the fourth open string. The number pair 31 tells you to press down the third fret on the first string.

The strings are numbered from the string with the highest pitch. This string is called the first string and is the bottom string when you play your ukulele.

In the C-major chord written out above you can see that there is only one fret to press down. This makes for many fingering alternatives. The easiest way to finger this C-chord is of course to use your index finger. But let us look at the next chord to play, G7, to see if there is another way to finger the C-chord. Here is the G7 chord:

G7: 04 23 12 21

The most common fingering for this chord is using the ring finger for the first string, the index finger for the second string and the middle finger for the third string. Try it out and see if it is this way you have played it.

A common chord progression is to move from C-major to G7. In order to make this chord change as smooth as possible I suggest that you use your ring finger to play the third fret on the first string in the C-major chord. When you move to G7 you simply slide your ring finger to the second fret and add the remaining two fingers and you have the G7 chord.

If you are going from G7 to C you only have to reverse the procedure.

Minimize finger movements

As an example of this principle we will use the chords A-minor and and F-major. Here you have these chords written out:

A-minor: 24 03 02 01

F-minor: 24 03 12 01

Suppose you have to move from Am to F. As you can see there is only one change to make between Am and F. The only thing to do is to put your index finger on the first fret on the second string and you will have the F chord. To make this chord change as smooth as possible you can keep your index finger as close as possible to this fret even when you play Am. This principle applies to other chord changes as well.

Keep fingers down on frets that are shared

In order to illustrate this principle we will use the chords F-major and G7. I have already showed the chords above so I just have to describe how to move your fingers. If you take a look at the two chords you will find that the first fret second string is shared by both chords. This fret is pressed down with your index finger.

As you move from F to G7 you only have to move your middle finger from fret two on the fourth string to fret two on the third string and press down fret two on string one with your ring finger and you are done!

Using the chords and principles we have already discussed you can practice the following sequence that is very common in many songs:

C Am F G7 C Am ...and so on.

How to practice

The best way to practice chord changes in a song is to take two consecutive chords and practice them by strumming once on every chord as you move between them. Slowly at first, making it possible to apply the principles we have discussed. In a short time you will find that you automatically will use the right fingerings, minimize finger movements and you will also find that your playing will be more effective and enjoyable!

Peter Edvinsson invites you to download your free ukulele tabs and ukulele lessons at http://www.capotastomusic.com

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Diction Italian, Latin, French, German...the Sounds and 81 Exercises for Singing Them

Customer Review: Great reference.
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Even the most successful businesses suffer from third-quarter blues. At times, results are easy to justify capital expenditures, seasonal market fluctuations or even act-of-nature catastrophes. Some companies may even spoil third quarter results to spare the triumphant fourth. Or, perhaps the dismal quarter is part of a wider business strategy that shareholders and analysts understand and support. At other times, the alarming red ink is a real wake-up call that leads to financial housekeeping, an executive sweep or a fiscal crisis plan.

But often, its not the results that are at fault, but the planning method that generates them. A business is not entirely unlike an individual when it makes short-term decisions that are not in alignment with the core values of the company the end result is nearly always disappointing.

Lets face it. Business leaders are under pressure to produce results now. They can easily bend to the will of investors and boards, who want quick returns and payoffsquick indicators of success. All too often, a leaders long-term vision for company growth and achievement is sacrificed to the demands of quarterly reports or the profit and loss statement. And that sacrifice leads to bad decisions that compromise the underpinning values of the organization and unsurprisingly, can shipwreck quarterly earnings and maroon long-term gains.

So how does a business leader set the right goals?

According to veteran entrepreneur Peter H. Thomas, youand your companyshould dance your way to success through mutual goals that are adopted step by step and always in alignment with your values. In Thomas blueprint for success, he suggests the RUMBA, a goal-setting process that determines worthwhile objectives in terms of:

--> Realistic

--> Understandable

--> Meaningful & Measurable

--> Believable; and,

--> Agreed upon.

To stage the process, and bring it into focus and vision, business leaders focus on the following questions:

  • Are our goals realistic? Are they grounded in clear ideas of what we want and whats required to achieve them?
  • Are we willing to take risks, and if so, whats our risk quotient?
  • Are the goals understandable? Are the objectives clearly defined?
  • Are the goals personally meaningful to our company and its stakeholders? Are they measurable with objective indicators?
  • Do we believe wholeheartedly in the short-term objectives and the long-term goal we expect to achieve?
  • Are the goals and objectives agreed upon by the people who have stake in our company?
  • Even then, while the focus and balance needed to be a leader may give a company stability and trajectory, company goals that dont align with company values will always be a threat to future growth.

    As Plato said in the text Alcibiades, Know Thyself. As a business leader, youre charged with the task of holding a vision for the company, and maintaining the appropriate perspective to achieve it. Dont let unaligned interests cloud your sight. A well-focused leader who sets goals using criteria consistent with personal and corporate values will achieve over the long haul.

    Quarterly results dont have to be dreaded, or be a catalyst for financial housekeeping or maybe the executive sweep. When goals are in step with stakeholder expectations and aligned with core values, its all easya piece of cake, says Thomas.

    Moreover, dancing with a goal-setting strategyand aligning it on a values-driven courseoffer benefits beyond the achievement of the goals themselves. These methods combined are a surefire way to motivate and inspire others, develop clarity and will boost the energy and confidence needed among colleagues and customers to reach even the tallest company peak.

    Additional Resource

    --> The LeaderShape program at the McCombs Business School at the University of Texas is an academic leadership conference dedicated to promoting a healthy disregard for the impossible and leaders who act consistently with their core values. Click Here.

    Author: As vice president of LifePilot, Christopher Scott Smith oversees the organizations operations, ensuring efficient and effective management of overall company strategy and budget, as well as the management of personnel and stakeholder relationships. The organization provides values-driven motivational products, programs and workshops for entrepreneurial success, self-help, parenting, and business leadership. LifePilots net profits are distributed to charities through the Todd Thomas Foundation and the Thomas Foundation. Contact Chris at values@lifemanual.com. Learn more about values, motivation and Chris work at http://www.lifemanual.com.

    For tips on setting goals, visualizing them and finding inspiration and motivation to make them happen, LifeManual provides a free PDF Download.

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    A String Quartet Tribute to Coldplay

    Includes ten of Coldplay's greatest hits, performed by string quartets. Coldplay's relaxing sound lends itself beautifully to the string quartet format.


    Karaoke is the act of singing along to recorded background music; it originates from Japan and in Japanese means empty orchestra.

    It is rumoured that karaoke was invented In Japan in the 1970s, when a Japanese musician was asked by fans to provide a recording of his performance so that they could sing along on their vacation. Realising this potential the musician then developed a machine that for 100 yen would play his songs; the machine was originally leased out and not immediately available in stores as they are nowadays. Unfortunately for the Japanese musician a Filipino businessman recognised the potential market for such a machine and patented a sing-a-long system to be sold in stores along with the music.

    Karaoke's popularity has lasted since its invention in the 1970's and has continued to be a popular form of entertainment and it has reached great success across the globe. Many bars, restaurants and clubs install karaoke machines into their venue, or hold karaoke nights to capitalise upon its popularity.

    The concept Curry Karaoke was developed in Glasgow; combining the nations two favourite things, Indian food and karaoke, with such CurryOke nights happening across the city it is no wonder that Glasgow has been named the Curry Capital of the UK. With the Ashoka restaurant on Elderslie Street offering a Curry Karaoke package of a private function suite, large Indian buffet, karaoke, party games and fancy dress outfits it sounds like Curry Karaoke is the ultimate in party nights. Providing an excellent alternative to your average birthday party or staff night out a Curry Karaoke night will provide endless fun, good food and some brilliant photo opportunities; most definitely a different kind of night out.

    Visit the Ashoka Website for a menu and photographs from the many Curry Karaoke nights that they put on.

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