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Sunday, August 10, 2008
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Technically, Estefan is a singer with a supple tone but modest range, hardly suggesting the caliber expected of a bona fide diva. Neither does her small, compact frame suggest a dancer's physique, despite the production's reliance on extended dance sequences. Yet she makes the most with what she has, harnessing formidable physical energy and transmitting considerable warmth to her audience. Her material, including both Miami Sound Machine hits and subsequent solo signatures, works best when staying closest to her roots, riding the giddy syncopations of uptempo Latin rhythms, or plying the lambent emotions of traditional ballads. Her exhortations to dance--"Get on Your Feet," "Conga," and "Rhythm Is Gonna Get You" being the inevitable faves--work handily with an ecstatic audience.
More grizzled viewers should be forewarned that this, like most recent concert films, isn't purely documentary--apart from backstage sequences that duly flatter the star, the live sound has been liberally sweetened during post-concert production. --Sam Sutherland
Customer Review: A great concert
I never actually saw this video. I was at the concert. The concert was awesome, so if this video does a decent job of capturing it, then it should be great too.
Customer Review: Gloria is the best and so are her concerts
Gloria is the best singer ever. On stage she's a divette. She's the best and so are her shows. The way she sings live is great, and so is her dancing. The band is great too. They know how to play and everybody goes wild in the audience!!!!!!!Always!!!!! I love her with all my heart and soul, 4 ever.....
1-Practice-Its obvious but many people claim they want to learn how to play fast guitar but dont put the time in. You get out what you put in! Even if you dont have much time to spare, half an hour a day is enough to help you improve.
2-Focus your practice-You can increase the benefits of your guitar practice exponentially by practicing the same stuff each time. A good way to start this is to choose 4 licks or scales or parts of scales (anything except chords will work just fine), and play through each lick in a loop for 15 minutes. By the end of the FIRST WEEK youll be two or three times as fast as you were with those licks to begin with.
3-Think long term. Focused practice everyday is great, but its even better to have a goal in mind. for example if you want to learn a particular piece, gear your practice toward licks and techniques used in the piece and then dedicate the last 15-20 minutes(depending on how much time you have) to practicing the actual piece. Nothing helps you learn how to play fast guitar and stay motivated more than being able to see your daily progress.
4-Work on legato-Legato actually means smooth, or flowing, but in guitar circles it is the term given to fretting notes with your left hand and making them sound without actually picking anything with your right hand. It could also be called the art of hammering on and pulling off. Excellent practice as it will strengthen your left hand, not only making you faster and smooth, but will improve your vibrato and chord changes too. It just makes your hand fitter! A great way to practice this is to run up and down some scales, but only pick the first note on each string, so you will be hammering on going up and pulling off on the way down. Its tough at first but persevere and you will get rewards!
5-Use a metronome. Other musicians seem to use metronomes with no trouble, but guitarists are allergic to them, or at least seem to be! Ill spell it out - An hour with a metronome does A LOT more good than an hour without. Its simply the best tool for highlighting the weak areas and inefficiencies in your technique. There is a learning curve but stick with it-your playing will change for the better, permanently! Buy one!
6-Use a hard pick. Controversial? I know that people should use whatever pick they want to, but a softer pick WILL slow you down, and a harder one wont. Its simple physics. Most picks have a degree of flexibility, so after picking a note we have to wait for it to return to its proper shape before we pick again, or the note is not picked cleanly. Put it this way-trying to learn how to play fast guitar while using soft picks is like putting bicycle wheels on a Ferrari and then trying to drive fast. Not going to happen!
7- Start slow-Work on something until you can play it with no mistakes at all before you crank up the speed. This will do more for your all round musical skills than just pushing the metronome up a few beats every few minutes. If you move forward before your skills are ready your playing will be very very sloppy, and that will be a real hard habit to get out of!
Hopefully those tips will help you break out of a rut and get your fretboard burning!
Steve Higgins is an accomplished guitarist who enjoys seeing others improve their skill. To check out more tips visit his blog.latin cds
This is really an excellent text for use both in the classroom and on your own. This is a wonderful way to begin training muscles associated with articulation to pronounce different sounds required for singing in other languages. Moriarty provides an excellent foundation for beginning to learn the International Phonetic Alphabet. This is a great reference for IPA symbols and provides a clear, analytical way for forming, both in the brain and with articulators, pretty much any sound in the languages covered. This is a permanent reference in preparing for accurate performances in foreign languages.
Customer Review: It Is Not For Sale
DON'T ASK! IT IS NOT FOR RESALE-....EXCELLENT BOOK!
Gharana essentially means a school of thought, or a school of music, that follows a particular style perfected over the years by rigorous practice and enhanced by coming generations that combine contemporary styles and incorporate new ideas. Gharana literally means family tradition, members of a family of musicians establishing their own unique musical discipline consistently over three or more generations. It is difficult to give an exact date when this system came into being. Ithawa gharana has evolved over seven generations of some of the finest sitar players of India. Shujaat Khan is seventh in this unbroken chain of sitar virtuosi from Ithawa gharana and is considered to be the torch bearer for the future of this school of music. With Shujaat Khan in concert today, it would be appropriate to bring forth some of the hidden facts about the history and evolution of this style of music.
Ithawa gharana in its present form owes its existence, its popularity and its distinctive style of sitar playing to Shujaat Khans father, the legendary musician Ustad Vilayat Khan. But for him, the gayaki ang or vocal style in instrumental music, which is the hall mark of this gharana, would neither have existed nor would have flourished. To talk about Ithawa gharana of recent years is to talk about Vilayat Khan and his early period of musical training, his original thoughts about bringing gayaki in instrumental playing, his improvisations and changes made to the structure of sitar to accommodate the continuity of sound or to imitate vocals in sitar playing. It is believed that only after Vilayat Khans tantalizing performance that won the hearts of the listeners, critics and musicians alike, at the 1943 Vikram Samaroh music conference in Bombay, instrumental music earned a wider acceptance in the main stream classical music.
Born in 1928 in Gauripur, East Bengal, Vilayat Khan entered the world of music at an early age of four and gave his first performance when he was eight. He also made his first recording at the same age. Vilayat Khan hails from an impressive family of musicians. His great grand father Ustad Sahabdat Khan gave todays surbahar, the bass version of the sitar and a very difficult instrument to master, its present tonal and structural form. At the early age of ten Vilayat Khan lost his first guru, his father Ustad Inayat Khan, a leading instrumentalist of his days. Thereafter he moved with his mother to the state of Nahan near Delhi to learn music from his maternal grand father Ustad Bande Hasan Khan, who was the court musician of the state. During 40s and 50s there still was Inayat Khans influence in Vilayat Khans playing. Tantrakari was still very prominent. The right hand which is considered as the main subject of instrumental playing for string instruments was still distintly dominant. Tantrakari had been taken to great heights by earlier generations but now was the time to give new direction to instrumental music. It is believed that human voice is the sublime epitome of expression and all other sounds are subordinates used only for enhancing and ornamenting the vocal music. In his quest to achieve vocal continuity in the sound of sitar, Vilayat Khan introduced the gayaki ang in instrumental music during the early 60s.
Khayal ras, a vocal music style with imaginative use of lyrics, began to emerge in instrumental music with Vilayat Khans introspective vision and vivid imagination. The tone of sitar was now changed. The right hand remained at its place but there were significant advancements in the left hand. The pancham of kharaj was now replaced with a steel gandhar (this change helps in establishing the mood of the raag). Several other fundamental changes were also made to the structure of sitar.
There were various subjects involved in khayal ras which required ample improvisations in order to translate it in instrumental music. At first Alap, the slow but contemplative progression of a raag, was given a different approach adorned with meend, krintan and zamzama. Next were taans and bol taans, the fast tempo phrases, and thumri. The transition towards khayal ras is quite evident in Vilayat Khans recordings from 60s onwards.
Gayaki ang is now successfully passed on to Ithawa gharanas next generation of musicians. Today there are many musicians who prefer and follow this style of music. Thanks to his creative genius for this enormous contribution to the world of music. It would be righteous to refer to Ithawa gharana as Vilayatkhani gharana.
Shilpa Rao is a professional Indian Classical Music artist. Learn basics of Indian Classical Music system at http://www.articlestonurture.com/classical/music.html/3latin music lyrics
You're learning guitar because you want to play on your guitar your favorite music, and
you want to enjoy the feeling of drawing out of your guitar those enticing sounds.
And you want to learn to play your guitar in an optimum way, so you'll awaken the
admiration of everybody listening to you.
And you can achieve your goals, when you take into account a few and very important
concepts, specially when you are self-teaching.
I won't tell you that they are easy. I'll tell you that you can definitively do them,
just putting will and work. Like everything deserved in life.
Let's go through them.
Attitude: It is the main thing you must have in mind. I'm talking here about a strong and
decided state of mind and body that puts you on the track of all the effort needed to meet your goals. Without hard work you won't get anything great in life. You won't even be a fair guitar player.
Listen in a different way: Until now most likely you listened just to enjoy it. From now
on, you'll listen music to enjoy it and learn from it. You'll listen trying to find out how
the player is playing every specific part of the piece; what is the player intending to
give; what difficulties is the player encountering, and how is he/she going through them;
how would you like to have that part played.
Practice daily: Yes! Practice daily! Not less than two hours a day (one in the morning,
and one in the afternoon, evening or night). I told you that it would be hard.
Practice efficiently: During the time segments you assigned to practicing, do just that.
Practice. Practice the lessons, exercises, scales, chords, pieces you must practice. Be
clearly sincere with yourself. Don't fool yourself, thinking that you are doing your
practice when you're only playing something you like to play and not what you must play.
Play with others: Whenever possible, specially when you have reached a playing knowledge
and skills (and it isn't required very much), play sometimes with other guitar players.
You'll be surprised about how much you can learn.
Look for a teacher: Yes. Look for a teacher. If you are learning to play guitar on your
own, there'll be a time when you'll need the guidance and advices of a guitar teacher.
There are many things than cannot be written and read. They must be shown and explained
over the guitar itself. And I guarantee you that you'll be amazed about what you will
Remember. Attitude, change your listening habits, practice daily and efficiently, play
with others whenever possible, and have a teacher to make your knowledge perfect.
There's no mystery in learning to play the guitar, but though rewarding it's a way of
Take it like that, and you'll become a very good guitar player.
Luis BONVIN has a life of guitar playing and teaching. He wants to help people around the world to learn, step by step, how to play guitar. To further discover how to quickly and easily you can play guitar, please visit his Beginner Guitar Lessons Website. Let him know about your interests or leave your comments at Beguiner Guitar Lessons Squidoo Lens or Beginner Guitar Lessons Blog.80's dance music
Subscription-based satellite radio service is at the forefront of the US music market. Long gone are the days when people when the only option was in choosing from just one or two measly stations that had poor reception and overbearing, irritating disk jockeys and commercials!
However, local radio stations generally don't fear the satellite radio revolution, predicting their survival in much the same way basic television has survived, despite the emergence of cable in the 90s. There's a lot to love about satellite radio and it's no surprise that Sirius Radio is ranked no. 1 Fastest Growing Company for 2007 (by Deloitte Technology).
First of all, satellite radio provide you with a high-quality digital signal that can transcend geographic borders by beaming down from three geosynchronous communications satellites orbiting around the Earth. Many channels feature CD-quality sound, static-free.
Secondly, subscribers have the choice of over 130 different satellite radio channels, ranging from various rock sub-genres to several news radio sources. This is great news for people who regularly listen to alternative sub-genres like Punk Rock, Death Metal, Christian Rock or Electronica! Satellite radio blends the best of both worlds - the specific ambiance of a CD, with the consumer's need for exposure to new music in fact it seems that new stations are popping up on a weekly basis.
Electronic Music Fans will prefer the Sirius radio service if they'd like a Breakbeat/Old SKool station, in addition to the usual Trance/Progressive stations that both satellite radio services provide. XM Radio has exclusive rights to acclaimed BPM, but Sirius has a special Dance Hits station.
The third benefit - that's worth its weight in gold - is that there are NO commercials! It may be hard to believe that 100% commercial-free radio exists, but for just $13/month, you can evade the constant interruptions that plague your morning and late afternoon commutes. Satellite radio is the obvious choice for truckers, delivery drivers and long road trips.
However, the fact that satellite radio costs anything is still a deterrent to many frugal individuals. Therefore, there will always be a market for regular local broadcast stations. At this point, it can be a hassle to go to the electronics shop and get satellite radio receivers for home use or for your car, having said that there is a huge range of satellite receivers and radios for the home and car on many internet sites.
In the future, satellite radio will become the standard and most new cars will already have it installed. Maybe then the real revolution will begin.dance dance music video
"Night and Day" was written by Cole Porter for the 1932 Broadway musical, "The Gay Divorce," starring Fred Astaire. It was the last Broadway show for Astaire and the last show that he performed with his sister, Adele.
In 1934 Hollywood produced a film version of the Broadway musical, retitled, "The Gay Divorcee." The Hays Office, Hollywoods self-censorship body, determined that the original title was too controversial. The film starred Fred Astaire and Ginger Rogers in their first leading roles together.
"Night and Day" was the only Cole Porter musical number used from the Broadway production. As a footnote, one of the films big production numbers, "The Continental," by Conrad and Magidson, won the Academy Award for Best Song that year.
In 1946 a film was made about Cole Porters life, called "Night and Day." The biography, starring Cary Grant as a heroic and heterosexual Cole Porter, was not accurate in detail or character, but Porter did not object.
Cole Porter was born in Indiana in 1891 to parents who were wealthy. He received an extensive musical education, learning the piano and the violin by age six. His favorite of the two was the piano which he practiced two hours daily. By age ten he was writing words and music to original songs, and by age seventeen he published his first song.
Porter also received an impressive academic education which carried him through Yale and into Harvard Law School and the Harvard School of Music. While at Yale, Porter became the president of the Glee Club and a cheer leader, and, among the 300 songs he wrote while at Yale, he wrote two football fight songs that are still played today. Despite being the roommate of Dean Acheson, the future Secretary of State under President Truman, Porter dropped out of Harvard Law School to continue with his music education.
After World War I, Porter moved to Europe where he met and married Linda Lee Thomas, a beautiful and rich divorcee and a descendant of the Lees of Virginia. Their relationship was a loving, supportive, lifelong partnership. Cole Porter was gay and had numerous male interests which Linda had agreed to allow. However, the marriage was at times unstable when Porters gay interests threatened the couples carefully maintained social appearances.
Following their marriage in 1919 in Paris, the Porters lived an extravagant lifestyle in Europe through the 1920s. Their palatial home in Paris had floor to ceiling mirrors and zebra skin upholstery. Later, they moved into a famous palace in Venice where their lush parties included fifty gondoliers, circus acrobats, and a ballet company. They also built a night club outside their palace which accommodated 100 guests.
Back in New York, Porters first few contributions to Broadway musicals were poorly received. However, by the end of the 1920s Porter gained recognition, and through the 1930s and 1940s he was one of the brightest stars on Broadway. He worked excessively and tirelessly on his musical productions and spent time in both New York and Hollywood.
In 1937 a terrible horse riding accident crushed both of Porters legs. As the story goes, while waiting for hours for help to arrive he composed the lyrics to a verse of his song, "At Long Last Love." The accident left him crippled and in pain for the rest of his life. He underwent more than 30 leg operations until his right leg was finally amputated in 1958. Following his leg amputation, Cole Porter dropped out of music production until his death in 1964.
Porter said that the stimulus for the ballad, "Night and Day," was his memory of hearing distant tom toms while cruising down the Nile River in Egypt.
"Night and Day" was sung by Fred Astaire to Ginger Rogers in the film, "The Gay Divorcee." The romantic lyrics of Cole Porter and the lovely dance of Astaire and Rogers combine to create one of Hollywoods most memorable moments.
Here are the Cole Porter lyrics to "Night and Day."
Like the beat beat beat of the tom-tom
When the jungle shadows fall
Like the tick tick tock of the stately clock
As it stands against the wall
Like the drip drip drip of the raindrops
When the summer shower is through
So a voice within me keeps repeating you, you, you
Night and day, you are the one
Only you beneath the moon or under the sun
Whether near to me, or far
It's no matter darling where you are
I think of you day and night
Night and day, why is it so
That this longing for you follows wherever I go
In the roaring traffic's boom
In the silence of my lonely room
I think of you day and night
Night and day,under the hide of me
There's an oh such a hungry yearning burning inside of me
And this torment won't be through
Until you let me spend my life making love to you
Day and night, night and day
Garry Gamber is a public school teacher and entrepreneur. He writes articles about politics, real estate, health and nutrition, and internet dating services. He is the owner of http://www.Anchorage-Homes.com and http://www.TheDatingAdvisor.com